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REVIEWS!!!!
For The Carousel: Some books are more than the sum of their parts, transcending their base elements to become deeper and more important than they might seem at first. They provide the comfort of traveling to a known destination in familiar surroundings but take an interesting and surprising route. Such is the case with Stefani Deoul s The Carousel. The plot veers dangerously close to a Lifetime movie. An unnamed, broken woman (Charlize Theron) shows up outside the Old Town Diner, run by the plucky Millie Hickson (Sally Field). The woman falls in love with a bunch of trashed-out carousel horses in a nearby junkyard, and the renovation of those horses provides the spark for the renewal of the town, its inhabitants and her own personal journey towards wholeness. In the hands of a lesser writer, this material might well be mired in mawkish sentimentality, but Deoul never stoops to the cheap sob. Her merry go round lady is dark and unpredictable, and her relationship with Millie has a tense dynamic that gives the plot some real drama. Deoul s prose is straightforward and uncluttered, sharp enough to make its point and lyrical enough to leave an impression. The sub-plots and minor characters are also interesting and well-drawn, especially the expert carvers Sam and Morris, whose age and experience demand they pass their skills to an initially unwilling apprentice, teenage Cameron. Reverend Dalton, an early cheerleader of the project, is also a fascinating character, but nearly all the cast has a role to play in the finish of the carousel. If all this sounds a bit contrived, I swear you won t notice. The prose is that good and the characters will sweep you up in their enthusiasm until you find yourself cheering them on, chagrined at their setbacks and elated by their successes. This book is full of strong women in leadership roles, taking on challenges and making dreams come true. Stefani Deoul s The Carousel is a warm, entertaining read whose ending will leave you smiling and just a bit sad that it s over. But don t blame me if you have visions of stately wooden horses frozen in mid-prance as they bob up and down to calliope music and you lean out in space to grab the brass ring. Sally Field would want you to. Can
a rag-tag bunch of citizens who are hardly in touch with themselves, let alone
with each other, ever come together? As this tale begin-tag bunch of
citizens who are hardly in touch with themselves, let alone with each other,
ever come together? As this tale begins, there is little hope—little hope in
the lives of the townspeople and little hope in the woman who stops in the town
because she is just too tired to drive any further. The woman is distraught,
numb, barely coping. But when she sees the carousel horses in a junkyard, she
knows she has to do something to bring them life. The restoration becomes a
metaphor for the lives of the people who slowly find one other and come together
to create something bigger than themselves.
“It’s not only the story itself—of finding Lara Zeilinsky - BLOG Radio
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